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Image concept by Alex Morgan Imaging
Eyal Levi: Guitar
Sean Z: Vocals
Jesse Zuretti: Orchestration / Synth / Guitar
Dave Marvuglio: Bass
The band began their journey in 1999 and stayed busy for just over a decade before taking a hiatus in 2011. In that time, Dååth released 4 studio albums (Futility - self-released 2004, The Hinderers - Roadrunner Records 2007, The Concealers - Century Media 2009, Dååth - Century Media 2010) and toured throughout the world with band's like Dark Funeral, Naglfar, Zyklon, Dragonforce, Goatwhore, Chimaira, Throwdown, Dying Fetus, and Devildriver making a lasting impression with the metal community and its many subgenres. Dååth also landed a coveted spot on Ozzfest playing before tens of thousands of fans in outdoor amphitheaters across the US in addition to the infamous and long-running metal tour, Summer Slaughter.
In their time, Dååth managed to create an extensive fanbase worldwide with their unique brand of experimental death metal, which makes it no surprise that the metal community lit up once rumors of the band's return began to surface online. The metal community only continued to buzz with support as members began making posts teasing new material. The metal world made it clear they were ready for the return of one of the strongest progressive death metal bands of the first part of the 00's.
Dååth is now back with an updated lineup and stronger than ever, which can be heard in the group's new single "No Rest No End" that saw digital release by Metal Blade Records on February 22, 2023. The track features guest solos by Rafael Trujillo (Obsidious, ex-Obscura) and Spiro Dussias and was mixed by Jens Bogren (Sepultura, At The Gates, Kreator, Dimmu Borgir), Mastered by Tony Lindgren (Enslaved, Katatonia, Leprous, Wardruna), with Vocal Production by Andrew Wade (A Day To Remember, Motionless In White, Wage War), and Engineering by John Douglass (Megadeth, Alluvial, The Contortionist).
Eyal Levi comments, "'Purified By Vengeance' is the first song we wrote for Dååth's return and it has everything I would want from one of our songs. Devastating riffs, eerie synths, epic orchestration, brutal and catchy vocals, ethereal cleans, and an incredible solo.
And on that note, shout-out to Mick Gordon and Mark Holcomb for their contributions. When Mick told me the song made him think of grave robbing I knew he was picking up what we were putting down. He added what we didn't know was missing. Layers of incredible percussion, sound design, orchestra, and theremin. Yes theremin. You've gotta love an evil theremin. Furthermore, the way Mick's elements blend with Jesse Zuretti's is perfect.
As far as Holcomb goes, I literally laughed out loud when I first heard his solo. It's wild and classy, virtuosic and tasteful, unpredictable yet familiar. To be honest, it's my favorite Mark Holcomb solo. You can tell him I said that.
Also, the verse riff is the moment I knew Krimh had to be in the band. I was beating my head into a wall. Everything I was writing just wasn't good enough. I re-wrote the verse maybe 16 times. We had an intro, a pre chorus, a chorus and no verse. I asked Krimh to help me write it and the way we collaborated was instant chemistry. It was so seamless and easy and what we ended up with is quintessential Dååth: heavy af, catchy af, dark af. Clearly we had to make more music together.
I hope you all enjoy this one!"
Krimh, the band's drummer, added how the new, original track is "a real banger with its groove, chug riffs and catchy chorus. Mick Gordon and Mark Holcomb really elevated it with their creative sound design and melodic guitar solo. I'm very proud of how this turned out!" Jesse Zuretti (orchestration, synth, guitar) also noted how "tracking guitars & composing orchestrations was fun, but Mick Gordon's sound design and layers really serrated 'Purified'. I'm personally deeply honored to have worked in tandem on this track.
I'd also like to point out that when I first heard Mark Holcomb's solo it put a literal smile on my face - what an assassin."