Between The Buried And Me Signs With Metal Blade Records
NEXT CHAPTER IN AWARD-WINNING BAND's STORIED CAREER SET TO UNFOLD
Celebrated progressive rock / cutting-edge metal band BETWEEN THE BURIED AN ME (also BTBAM) has inked a worldwide recording deal with Metal Blade Records. The award-winning North Carolina quintet will kick off the partnership with the April release of its new album The Parallax: Hypersleep Dialogues.
"We are delighted in the opportunity to join the Metal Blade family," commented BTBAM guitarist Paul Waggoner. "Their commitment to heavy music over the years is inspiring and we look forward to becoming a part of the ever-growing legacy of the label. Our new release, titled "The Parallax: Hypersleep Dialogues" will hit the streets in April. We are confident that our dedicated fans will appreciate it and hopeful that we will gain the attention of some new ears as well. In closing, I'd like to reference a quote from the illustrious Joe Dirt: "Life's a garden, dig it."
Further details on The Parallax: Hypersleep Dialogues will be made available soon. The LP will contain the first new music from BETWEEN THE BURIED AND ME since the release of 2009's The Great Misdirect, which landed at #36 on the Billboard Top 200 in its first week of release. BTBAM supported the album with a full scale North American headlining tour and live dates across Europe, Australia and Japan as well as a U.S. tour as hand-picked support for like-minded rockers Mastodon.
Check out a teaser HERE.
About BETWEEN THE BURIED AND ME:
Merging unparalleled musical bravery, prodigious musicianship, flawless execution and an angular landscape of forward thinking ideas, BETWEEN THE BURIED AND ME reinvent the rock 'n roll idiom while pleasing their harshest critics: themselves. Joining metal's dexterity and progressive rock's psychedelic, multi-layered experimentation, BTBAM (whose name was inspired by a line of lyrics from the Counting Crows song "Ghost Train") create spine-tingling sound that contains visceral power, labyrinthine arrangement, mind-boggling melody and majestic beauty. The band has released five full-length LPs since its formation in 2000 including Between the Buried and Me (2002), The Silent Circus (2003), Alaska (2005), The Anatomy Of (2006), Colors (2007) and 2009's critically acclaimed The Great Misdirect. The group has showcased its live prowess via a slew of world headlining tours and has participated in major touring festivals including Ozzfest and the Radio Rebellion and Progressive Nation tours. Since its inception, BETWEEN THE BURIED AND ME has sold nearly one half million records and proven itself as a progressive rock pacesetter whose modernist clang pegs it as a paradigm to be followed and a yardstick by which other bands are measured.
In addition to Waggoner, BETWEEN THE BURIED AND ME features Tommy Rogers (vocals / keyboards), Dustie Waring (guitar), Blake Richardson (drums / percussion) and Dan Briggs (bass).
"daring, eclectic, and dizzying…serpentine guitar heroics…brilliance" - THE ONION
"Inspired equaly by Yes, Dream Theater and Dillinger Escape Plan, the North Carolina extreme-prog band Between the Buried and Me think nothing of combining furious death metal rhythms and complex math metal licks with neoclassical leads and airy, atmospheric interludes." – GUITAR WORLD
"This North Carolina quintet has made a career out of stirring prog, emo, jazz, electronics, and what-have-you into the metal pot…diverse would be an understatement" - STYLUS
"Between the Buried and Me have evolved into a progressive band in the truest sense of the word, an alchemic group who concoct innovative, multi-genre fusions rather than a metal outfit with experimental pretensions." – ALTERNATIVE PRESS
"Nearly 10 years and six albums in, these guys are still at the forefront…the main reason: their sheer musical talent. If you ever wondered what Dream Theater's prog-metal might sound like if they had been raised on Dillinger Escape Plan and Metallica rather than Deep Purple and Iron Butterfly, Between the Buried and Me have the answer…a jaw-dropping and cathartic sound that few bands can even manage." - CLEVELAND SCENE